{"id":2973,"date":"2019-07-15T13:37:10","date_gmt":"2019-07-15T13:37:10","guid":{"rendered":"http:\/\/bienale.lt\/2023\/kauno-bienales-buvo-vienuolika-kas-liko\/"},"modified":"2019-07-15T13:37:10","modified_gmt":"2019-07-15T13:37:10","slug":"kauno-bienales-buvo-vienuolika-kas-liko","status":"publish","type":"post","link":"https:\/\/bienale.lt\/archive2023\/uncategorized-lt\/kauno-bienales-buvo-vienuolika-kas-liko\/","title":{"rendered":"Kauno bienal\u0117s. Buvo vienuolika. Kas liko?"},"content":{"rendered":"

Nors jau 22-ej\u0173 met\u0173, Kauno bienal\u0117 kiekvien\u0105kart i\u0161 naujo i\u0161randa save ir po\u017ei\u016brio \u012f \u0161iuolaikin\u012f men\u0105 kamp\u0105. Visgi dar 1997-aisiais \u0161is vienas did\u017eiausi\u0173 tokio tipo rengini\u0173 Baltijos \u0161alyse buvo prad\u0117tas kaip \u012f tekstil\u0117s fenomen\u0105 Kaune d\u0117mes\u012f kreip\u0119s vyksmas. Bir\u017eel\u012f pasitikome jau 12-\u0105j\u0105 Kauno bienal\u0117s versij\u0105, kuri vienu ar kitu b\u016bdu am\u017eiams \u012fsisi\u016bs \u012f miesto audin\u012f. Nes \u012fsisiuvo ir visos lig\u0161iolin\u0117s \u2013 pirmosios gal labiau u\u017emegztais k\u016brybiniais ry\u0161iais ir nutiestais tiltais. Neabejojam, kad ne vienas ir ne du bienal\u0117se eksponuoti k\u016briniai nukeliavo \u012f priva\u010dias kolekcijas. O kas i\u0161 t\u0173 vienuolikos intensyvi\u0173 period\u0173 liko vie\u0161o? Su juostiniu fotoaparatu rat\u0105 aplink Kaun\u0105 apsuko Lukas Mykolaitis ir rado keturias kadro vertas stoteles.<\/p>\n

Skaityti toliau \/ Kaunas pilnas kult\u016bros \/ Tekstas: Gunars Bak\u0161ejevs \/ Nuotrauka: Lukas Mykolaitis<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Nors jau 22-ej\u0173 met\u0173, Kauno bienal\u0117 kiekvien\u0105kart i\u0161 naujo i\u0161randa save ir po\u017ei\u016brio \u012f \u0161iuolaikin\u012f men\u0105 kamp\u0105. Visgi dar 1997-aisiais \u0161is vienas did\u017eiausi\u0173 tokio tipo rengini\u0173 Baltijos \u0161alyse buvo prad\u0117tas […]<\/p>\n","protected":false},"author":1,"featured_media":620,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-2973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/posts\/2973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/comments?post=2973"}],"version-history":[{"count":0,"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/posts\/2973\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/media\/620"}],"wp:attachment":[{"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/media?parent=2973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/categories?post=2973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bienale.lt\/archive2023\/wp-json\/wp\/v2\/tags?post=2973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}