{"version":"1.0","provider_name":"Kauno Bienal\u0117","provider_url":"https:\/\/bienale.lt\/2027\/en\/","author_name":"Ina","author_url":"https:\/\/bienale.lt\/2027\/en\/author\/ina\/","title":"Being John Smith: Finding Meaning in Absurd - Kauno Bienal\u0117","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"9vbJsVrOp0\"><a href=\"https:\/\/bienale.lt\/2027\/en\/uncategorized\/being-john-smith-finding-meaning-in-absurd\/\">Being John Smith: Finding Meaning in Absurd<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/bienale.lt\/2027\/en\/uncategorized\/being-john-smith-finding-meaning-in-absurd\/embed\/#?secret=9vbJsVrOp0\" width=\"600\" height=\"338\" title=\"&#8220;Being John Smith: Finding Meaning in Absurd&#8221; &#8212; Kauno Bienal\u0117\" data-secret=\"9vbJsVrOp0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/bienale.lt\/2027\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/bienale.lt\/2027\/wp-content\/uploads\/2025\/09\/John-Smith_Being-John-Smith.jpg","thumbnail_width":2000,"thumbnail_height":1500,"description":"For nearly five decades, John Smith has been making films that blur the boundaries between fact and fiction, the serious and the absurd. From his early breakthrough The Girl Chewing Gum (1975) to recent works like Being John Smith (20224)\u2014presented at the 15th Kaunas Biennial, Life After Life\u2014his practice combines wit, formal experimentation, and philosophical [&hellip;]"}