{"id":3126,"date":"2017-10-11T11:53:46","date_gmt":"2017-10-11T11:53:46","guid":{"rendered":"http:\/\/bienale.lt\/2023\/zodine-programa-treciasis-susitikimas\/"},"modified":"2017-10-11T11:53:46","modified_gmt":"2017-10-11T11:53:46","slug":"zodine-programa-treciasis-susitikimas","status":"publish","type":"post","link":"http:\/\/bienale.lt\/archive2023\/en\/uncategorized\/zodine-programa-treciasis-susitikimas\/","title":{"rendered":"Oral Programme \/ Session III"},"content":{"rendered":"<p>Prof. Matthew Rampley (University of Birmingham)<br \/>\nBlood Swept Lands: on the Difficulties of Remembering in Art<br \/>\nPresentation (45 min.)<\/p>\n<p>Manca Bajec (Royal College of Art and Design)<br \/>\nMonuments as Artworks, Monuments as Writers of History<br \/>\nPresentation (45 min.)<\/p>\n<p>Discussion: Matthew Rampley and Manca Bajec with Prof. Giedr\u0117 Mick\u016bnait\u0117 (Vilnius Academy of Arts) (30 min.).<\/p>\n<p>Art historian Matthew Rampley from the University of Birmingham, editor of Heritage, Ideology and Identity in Central and Eastern Europe. Contested Pasts, Contested Presents (Boydell &amp; Brewer, 2012), researcher of contemporary art and 20th century central European art and architecture, will look at the difficulties commemorative art faces in a fractured society where there is no longer any consensus about the appropriate language of visual representation and memory.<\/p>\n<p>PhD student at the Royal College of Art and Design, artist and curator Manca Bajec, who researches the history of monument revisionism in the former Yugoslavia and artistic practice as a method of reconciliation, will share her thoughts on how\/if art can not only comment on the current situation but also stimulate real social change. The speaker will ask if contemporary art can only offer new ideas to like-minded audiences or whether it can inspire new dialogues between people who generally are not considered to be contemporary art audiences?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prof. Matthew Rampley (University of Birmingham) Blood Swept Lands: on the Difficulties of Remembering in Art Presentation (45 min.) Manca Bajec (Royal College of Art and Design) Monuments as Artworks, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":301,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/posts\/3126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/comments?post=3126"}],"version-history":[{"count":0,"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/posts\/3126\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/media\/301"}],"wp:attachment":[{"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/media?parent=3126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/categories?post=3126"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/bienale.lt\/archive2023\/en\/wp-json\/wp\/v2\/tags?post=3126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}